Jez Burrows is a designer and illustrator
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About
Jez Burrows is a 23-year-old designer and illustrator originally from south Devon, now living and working in an obscenely beautiful city in Scotland. He studied graphic design at the University of Brighton and graduated in 2008.

With Lizzy Stewart he runs Sing Statistics, an independent publishing concern. He is also a regular contributor to design blog It's Nice That, and a forest enthusiast.
Selected Clients
The New York Times, WIRED, Monocle, BBH New York, New Statesman, Money Magazine, TIME Magazine, BusinessWeek, Tiny Showcase, Analogue Books, Arika, and more.

Exhibitions
07/09 We Are The Friction (Analogue Books)
06/09 Print Factory (Owl & Lion, Edinburgh)
05/09 Story Motel (Owl & Lion, Edinburgh)
05/09 Edition (Bodhi Gallery, London)
06/08 Self (Castor + Pollux, Brighton)
06/08 Into The Woods (Free Range, London)
06/08 Degree Shows 08 (University of Brighton)
Contact
hello (at) jezburrows.com
+44 (0)7811 056190

Mailing List
Be notified about new and awesome things in some brief, extremely sporadic emails.





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INSTAL 09
May 2009

Instal is a world-leading experimental music and sound art festival held annually in Glasgow. An identity and set of materials were developed for the 2009 festival including a poster, two booklets (a programme and set of essays), flyers, and advertising for web and print.

Arika, the promoters, are super passionate about the artists and performances they program, but are keen to challenge the sometimes impenetrable air associated with them, and engage new audiences. Consequently, the approach to the festival's identity embraced full disclosure of information about the weekend's performances, treated with honesty, clarity, and humour. The poster (right) collected together the most interesting facts which were then expanded on in the programme booklets (below). These included average decibel level, distance travelled, complexity of instrumentation, and 'kicks vs. contemplation'.



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The programme (above, left) was distributed prior to the festival and gave information about each artist, including data from the main poster, as well as a visualised concordance of popular phrases drawn from online sources. The interpretation booklet (above, right) was given to festival goers on the weekend itself, and was filled with essays and extended writing on each artist.
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Suite of patterns developed for each artist, based loosely upon their individual disciplines: from radio and sound art, to improvisation, social activism and beyond.
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